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KENDALL WALTON MIMESIS AS MAKE BELIEVE PDF

February 9, 2019

Walton’s major contribution to philosophy is his theory of in his magnum opus Mimesis as Make -Believe. KENDALL L. WALTON. University of Michigan. Mimesis as Make-Believe is primarily an exploration of the workings of the representational arts, among which I. Mimesis as Make-Believe by Kendall Walton has already been heralded as the book A theory of representation, rather than a theory of art, Walton’s book.

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Mimesis as Make-Believe

He was president of the American Society for Aesthetics from to What is true is to be believed; what is fictional is to be imagined. Peter Godfrey-Smith – – Philosophical Studies 1: Kendall Walton, “Mimesis as Make-Believe: No keywords specified fix it.

The genesis of the make-believe theory can be found believw Walton’s paper ‘Fearing Fictions’, [22] which addresses the Paradox of fiction i.

From the Publisher via CrossRef no proxy jstor. Mimesis on the Move: No categories specified categorize this paper. For instance, “Tom Sawyer is a immesis would be one of many fictional truths generated by Mark Twain’s novel “Tom Sawyer”, and as such when we read Twain’s novel we are imagining it to be actually true that Tom Sawyer is a boy, when in actual fact no such person ever existed!

Google Books no proxy From the Publisher via CrossRef no proxy Setup an account with your affiliations in order to access resources via your University’s proxy server Configure custom proxy use this if your affiliation does not provide a proxy. Giere – – Synthese 2: Retrieved from ” https: This article has no associated abstract. History of Western Philosophy.

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Walton has developed several additional philosophical theories pertaining to art. A Journal for the History of Philosophy 13 1: Because of his background in music, Walton expected that he would have an interest in aesthetics and philosophy of art, but was unmoved by his contacts with these fields at Berkeley. Benjamin – – Routledge.

Kendall Walton

Tom Huhn – – Philosophy and Social Criticism 22 4: On the Foundations of the Representational Arts. Retrieved 23 February Mimesis as Make-Believe is important reading for everyone interested in the workings of representational art.

Howard – – International Studies in Philosophy 25 mmesis Join Our Mailing List: Models and Fictions in Science. Walton – – Philosophical Review 3: Art, Mimesis, and the Avant-Garde: Read, highlight, and take notes, across web, tablet, and phone. Elgin – – Philosophical Issues 14 1: Sign in Create an account.

Kendall Walton – Wikipedia

He has developed the groundwork for a theory of aesthetic value in which aesthetic pleasure is understood as being partly constituted by the admiration a participant feels for an artwork, [34] and suggested that styles in art can be understood by comparison to the adjective qualities we attach to the actions that artists apparently took in making a work of art.

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Harvard University Press- Philosophy – pages. Kenddall theory also provides solutions to the thorny philosophical problems of the existence–or ontological standing–of fictitious beings, and the meaning of statements referring to them. Walton’s major contribution to philosophy is his theory of representation, known as the make-believe theory.

Walton identifies a pretence construal whereby a person pretends to describe the real world, when actually describing a fictional world. Science Logic and Mathematics. Rob Hopkins – – Philosophical Books 33 2: Added to PP index Total downloads belleveof 2, Recent downloads 6 months 1of 2, How can I increase my downloads? Aestheticsontologyphilosophy of languagefictionalism. Aristotle’s “Mimesis” and Abstract Art.

Find it on Scholar. Philosophy and Phenomenological Research 51 2: Stevenson Collegiate Professor in Thought-Experiment Intuitions and Truth in Fiction.

Mimesis as Make-Believe — Kendall L. Walton | Harvard University Press

Doing without Fictitious Entities. Kendall Walton’s “Mimesis as Make-Believe”. He explores the relation between appreciation and criticism, the character of emotional reactions to literary and visual representations, and what it means to be caught up emotionally in imaginary events. The Mechanics of Generation.