Get this from a library! Franco of Cologne’s Ars cantus mensurabilis: complete critical edition, with commentary, translation, Index verborum and Loci paralleli. Series: Corpus Scriptorum de Musica Publisher: American Institute of Musicology . Franco of Cologne: Ars cantus mensurabilis. Franconis de Colonia. Ars cantus. Download Citation on ResearchGate | Franco of Cologne’s Ars cantus mensurabilis: complete critical edition, with commentary, translation, index verborum and.
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The forms of organum and conductus reached their peak development in the early Gothic, and began to decline in the high Gothic, being replaced by the motet. Amazon Drive Cloud storage from Amazon. Amazon Rapids Fun stories for kids on the go. His Ars cantus mensurabilis contained the first major statement of an idea that has been fundamental to Western notation ever since: Almost all composers of the ars antiqua are anonymous. Sign In or Create. Views Read Edit View history.
Revue belge de musicologie. Write a customer review. The original Middle Ages uses of the expression, found in the Speculum Musice of Jacobus and once by Johannes de Muris the only one to use the exact term “ars antiqua”referred specifically to the period of Franco of Cologneapproximately —but this restricted usage is rarely employed in modern scholarship.
This page was last edited on 22 Mayat Share your mensurabilia with other customers. User Account Personal Profile: Most of the surviving notated music of the 13th century uses the rhythmic modes as defined by Garlandia.
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However, sometimes the term “ars antiqua” is used more loosely to mean all European music of the thirteenth century, and from slightly before. Sign in with your library card. Sign in via your Institution. ar
Ars cantus mensurabilis : XIIIème siècle in SearchWorks catalog
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Ars cantus mensurabilis | work by Franco of Cologne |
Retrieved from ” https: Get to Know Us. From Wikipedia, the free encyclopedia. A German theorist of a slightly later period, Franco of Colognewas the first to describe a system of notation in which differently shaped notes have entirely different rhythmic values in the Ars cantus mensurabilis of approximatelyan innovation which had a massive impact on the subsequent history of European music.
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Sign in to annotate. To Jacques, the ars antiqua was the musica modestaand the ars nova was a musica lasciva —a kind of music which he considered to be excessively indulgent, capricious, immodest, and sensual Anderson and Roesner